FOR 2026 FOR 2026

Art Exhibits

Installation

All Tomorrow's Antimemes

“All Tomorrow's Antimemes” is a multi-channel audiovisual piece exploring the inherent conflict between computers’ capabilities as impeccable time and record keepers, and decision engines, and their role in our lives as an ever-increasing source of uncertainty, spiritual and temporal distortion.

Reckoner’s approach combines the precision of computer music with the organic forms of trip hop, and electronica – using live code to humanize rhythms and textures by systematically encoding imperfections.

Kastakila’s visuals blend organic and synthetic imagery, creating immersive and inhabitable experiences. Through fluid simulation and motion parallax, her visuals bring a sense of physicality that consistently accentuates the music’s forward momentum.

Sumanth Srinivasan

Sumanth Srinivasan

Sumanth Srinivasan is a New York-based artist, writing and performing computer-songwriter music as Reckoner. Drawing from krautrock, trip hop and glitch, his music is a fusion of live sampling, guitar, live coded rhythms and melodic vocals. Reckoner has released a full length album, several EPs and recently toured Asia.

Casta Jiahui Zhu

Casta Jiahui Zhu

Casta Jiahui Zhu is an NYC-based multimedia artist, creative technologist, and producer. She blends the full spectrum of colors in her work to capture and visualize clocked and unclocked time, the tangible and intangible spirit of nature. She creates installations, mixed reality experiences and generative art. She performs under the moniker Kastakila creating live visuals.

Installation

Immersive Projection Mapping Installation

An immersive projection mapping installation by Luis “Arturo” Gomez Escobedo and Ben Eckert.

Luis Arturo Gomez Escobedo

Luis “Arturo” Gomez Escobedo

Luis “Arturo” Gomez Escobedo (b. Mérida, Yucatán, Mexico) is a post-professional Master of Architecture (M.Arch II) candidate at the Harvard Graduate School of Design. His work explores design, the built environment, and social justice advocacy through a critical analysis of architecture, ecosystems, climate, and social systems. Through a multidisciplinary approach that overlaps research, social advocacy, visualization, architectural tectonics, and fabrication, he seeks to bring forward hidden narratives, practices, and techniques that contribute to architecture in practice, teaching, and archiving.

Ben Eckert

Ben Eckert

I made my first sculpture when I was 13 by straightening a paper clip I found and bending it at random right angles, imagining a line moving along a 3-dimensional grid. This became a habitual exercise I would do to keep my hands busy when I was bored, and would turn into the foundation of my sculptural practice. I was born on the east coast, lived in California for almost 20 years where I received a BFA from California College of the Arts in San Francisco, and I currently live and work in Baltimore, MD. I recently graduated with an MFA from the Rinehart School of Sculpture at the Maryland Institute College of Art.